Tampilkan postingan dengan label Arts. Tampilkan semua postingan
Tampilkan postingan dengan label Arts. Tampilkan semua postingan

Selasa, 16 April 2013

Amazing Shirt Made Out of 6,500 Screws

Amazing Shirt Made Out of 6,500 Screws

Andrew Myers The Laguna Beach-based artist stunned us with his unique works that were made by patiently drilling in 8,000 to 10,000 screws into plywood panel. Myers doesn't rely on any computer software to guide him. Instead, he drills in screws at different depths all by instinct to create his magnificent 3-D portraits.


We're going to commit that you've never seen a shirt quite like this. It's been over two years since we first came across the incredible screw portraits by Andrew Myers. The Laguna Beach-based artist stunned us with his unique works that were made by patiently drilling in 8,000 to 10,000 screws into plywood panel. Myers doesn't rely on any computer software to guide him. Instead, he drills in screws at different depths all by instinct to create his magnificent 3-D portraits.

In his latest work, titled "It's been a long day," Myers made a 4 foot by 4 foot sculpture of a men's dress shirt. It consists of 6,500 screws, oil paint, French newspaper clippings from the 1910's to 30's, and wood. Check out the fun, short video he made about the piece at Facebook.

Myers recently redesigned his website. It includes, not only his trademark screw portraits, but also some thought-provoking bronze sculptures, as well. Hop on over there to see his full body of work. 


Andrew Myers The Laguna Beach-based artist stunned us with his unique works that were made by patiently drilling in 8,000 to 10,000 screws into plywood panel. Myers doesn't rely on any computer software to guide him. Instead, he drills in screws at different depths all by instinct to create his magnificent 3-D portraits.

Andrew Myers The Laguna Beach-based artist stunned us with his unique works that were made by patiently drilling in 8,000 to 10,000 screws into plywood panel. Myers doesn't rely on any computer software to guide him. Instead, he drills in screws at different depths all by instinct to create his magnificent 3-D portraits.

Andrew Myers The Laguna Beach-based artist stunned us with his unique works that were made by patiently drilling in 8,000 to 10,000 screws into plywood panel. Myers doesn't rely on any computer software to guide him. Instead, he drills in screws at different depths all by instinct to create his magnificent 3-D portraits.

Andrew Myers The Laguna Beach-based artist stunned us with his unique works that were made by patiently drilling in 8,000 to 10,000 screws into plywood panel. Myers doesn't rely on any computer software to guide him. Instead, he drills in screws at different depths all by instinct to create his magnificent 3-D portraits.
Via — Link

Art with Acrylics and Epoxy Resin

Art with Acrylics and Epoxy Resin

Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.

Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.

Lye's labor-intensive approach requires the utmost patience and attention to detail, as each piece could consist of numerous layers. Altogether, the carefully plotted and executed layers present a rich sense of depth and life. After completion, the artist then photographs each piece as though it were just a still of real, living and breathing aquatic life in a bowl of water. Several requests have been made to purchase work from this series, known as Alive Without Breath, though it is currently unavailable. The artist hopes to sell some work, though he says it will probably be through an art gallery and admits, "[T]he problem with this kind of art is that it require[s] a great deal of time to complete, therefore they won't come cheap." .
Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.

Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.

Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.

Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.
Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.

Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.

Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.

Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.

Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.

Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.

Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.

Singapore-based artist Keng Lye meticulously produces three-dimensional works of art with acrylics and epoxy resin that lie somewhere between painting and sculpture. Using a technique originated by Riusuke Fukahori (see this video), Lye manages to produce the illusion of different animals swimming in water. The time-consuming process involves pouring resin into a bowl and then painting on top of it with acrylics, layer by layer.
Link — 1 2 3

Senin, 08 April 2013

Art of Reused Electrical Cables by Federico Uribe

Art of Reused Electrical Cables by Federico Uribe

Artist Federico Uribe just released a lovely new collection of work made from electrical and a/v cables called, appropriately, Contectado. Uribe works almost exclusively with multitudes of repurposed objects to create vibrantly colored sculptures and 2D artworks
Artist Federico Uribe just released a lovely new collection of work made from electrical and a/v cables called, appropriately, Contectado. Uribe works almost exclusively with multitudes of repurposed objects to create vibrantly colored sculptures and 2D artworks like this. Via Now

Uribe creates sculptures which are not sculpted but constructed and weaved, in all kinds of different ways, curious and unpredictable, repetitive and almost compulsive. They follow the classics canons of figurative and abstract art, but the result is absolutely unusual, whimsical, of enormous efficacy and communicability. When observed from close, his works reveal various kinds of interpretations; they invite us to touch them, to discover the detail and connection between one element and another. When viewed form further away, they offer volumes, forms, textures and color. Distance, proximity and perception are key factors in the interaction between Uribe’s work and its viewers.


Artist Federico Uribe just released a lovely new collection of work made from electrical and a/v cables called, appropriately, Contectado. Uribe works almost exclusively with multitudes of repurposed objects to create vibrantly colored sculptures and 2D artworks

Artist Federico Uribe just released a lovely new collection of work made from electrical and a/v cables called, appropriately, Contectado. Uribe works almost exclusively with multitudes of repurposed objects to create vibrantly colored sculptures and 2D artworks

Artist Federico Uribe just released a lovely new collection of work made from electrical and a/v cables called, appropriately, Contectado. Uribe works almost exclusively with multitudes of repurposed objects to create vibrantly colored sculptures and 2D artworks

Artist Federico Uribe just released a lovely new collection of work made from electrical and a/v cables called, appropriately, Contectado. Uribe works almost exclusively with multitudes of repurposed objects to create vibrantly colored sculptures and 2D artworks

Artist Federico Uribe just released a lovely new collection of work made from electrical and a/v cables called, appropriately, Contectado. Uribe works almost exclusively with multitudes of repurposed objects to create vibrantly colored sculptures and 2D artworks

Artist Federico Uribe just released a lovely new collection of work made from electrical and a/v cables called, appropriately, Contectado. Uribe works almost exclusively with multitudes of repurposed objects to create vibrantly colored sculptures and 2D artworks

Artist Federico Uribe just released a lovely new collection of work made from electrical and a/v cables called, appropriately, Contectado. Uribe works almost exclusively with multitudes of repurposed objects to create vibrantly colored sculptures and 2D artworks

Artist Federico Uribe just released a lovely new collection of work made from electrical and a/v cables called, appropriately, Contectado. Uribe works almost exclusively with multitudes of repurposed objects to create vibrantly colored sculptures and 2D artworks

Via — 1 2 3

The Lion Monument in Lucerne — Switzerland

The Lion Monument in Lucerne — Switzerland

The Lion Monument, or the Lion of Lucerne, is a sculpture in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn. It commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France. Mark Twain praised the sculpture of a mortally-wounded lion as "the most mournful and moving piece of stone in the world."
From the early 17th century, a regiment of Swiss mercenaries had served as part of the Royal Household of France. On 6 October 1789, King Louis XVI had been forced to move with his family from the Palace of Versailles to the Tuileries Palace in Paris. In June 1791 he tried to flee abroad. In the 1792 10th of August Insurrection, revolutionaries stormed the palace. Fighting broke out spontaneously after the Royal Family had been escorted from the Tuileries to take refuge with the Legislative Assembly. The Swiss Guards ran low on ammunition and were overwhelmed by superior numbers. A note written by the King has survived, ordering the Swiss to retire and return to their barracks, but this was only acted on after their position had become untenable.
The Lion Monument, or the Lion of Lucerne, is a sculpture in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn. It commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France. Mark Twain praised the sculpture of a mortally-wounded lion as "the most mournful and moving piece of stone in the world."

Of the Swiss Guards defending the Tuileries, more than six hundred were killed during the fighting or massacred after surrender. An estimated two hundred more died in prison of their wounds or were killed during the September Massacres that followed. Apart from about a hundred Swiss who escaped from the Tuileries, the only survivors of the regiment were a 300 strong detachment which had been sent to Normandy a few days before August 10. The Swiss officers were mostly amongst those massacred, although Major Karl Josef von Bachmann — in command at the Tuileries —was formally tried and guillotined in September, still wearing his red uniform coat. Two surviving Swiss officers achieved senior rank under Napoleon. 


The Lion Monument, or the Lion of Lucerne, is a sculpture in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn. It commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France. Mark Twain praised the sculpture of a mortally-wounded lion as "the most mournful and moving piece of stone in the world."

Memorial — The initiative to create the monument was taken by Karl Pfyffer von Altishofen, an officer of the Guards who had been on leave in Lucerne at that time of the fight. He began collecting money in 1818. The monument was designed by Danish sculptor Bertel Thorvaldsen, and finally hewn in 1820–21 by Lukas Ahorn, in a former sandstone quarry near Lucerne. Carved into the cliff face, the monument measures a staggering ten meters in length and six meters in height.
The monument is dedicated Helvetiorum Fidei ac Virtuti ("To the loyalty and bravery of the Swiss"). The dying lion is portrayed impaled by a spear, covering a shield bearing the fleur-de-lis of the French monarchy; beside him is another shield bearing the coat of arms of Switzerland. The inscription below the sculpture lists the names of the officers and gives the approximate numbers of soldiers who died (DCCLX = 760), and survived (CCCL = 350).
The monument is described by Thomas Carlyle in The French Revolution: A History. The pose of the lion was copied in 1894 by Thomas M. Brady (1849–1907) for his Lion of Atlanta in the Oakland Cemetery in Atlanta, Georgia.
The Lion Monument, or the Lion of Lucerne, is a sculpture in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn. It commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France. Mark Twain praised the sculpture of a mortally-wounded lion as "the most mournful and moving piece of stone in the world."

The Lion Monument, or the Lion of Lucerne, is a sculpture in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn. It commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France. Mark Twain praised the sculpture of a mortally-wounded lion as "the most mournful and moving piece of stone in the world."

The Lion Monument, or the Lion of Lucerne, is a sculpture in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn. It commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France. Mark Twain praised the sculpture of a mortally-wounded lion as "the most mournful and moving piece of stone in the world."

The Lion Monument, or the Lion of Lucerne, is a sculpture in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn. It commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France. Mark Twain praised the sculpture of a mortally-wounded lion as "the most mournful and moving piece of stone in the world."

The Lion Monument, or the Lion of Lucerne, is a sculpture in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn. It commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France. Mark Twain praised the sculpture of a mortally-wounded lion as "the most mournful and moving piece of stone in the world."

The Lion Monument, or the Lion of Lucerne, is a sculpture in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn. It commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France. Mark Twain praised the sculpture of a mortally-wounded lion as "the most mournful and moving piece of stone in the world."

The Lion Monument, or the Lion of Lucerne, is a sculpture in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn. It commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France. Mark Twain praised the sculpture of a mortally-wounded lion as "the most mournful and moving piece of stone in the world."

The Lion Monument, or the Lion of Lucerne, is a sculpture in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn. It commemorates the Swiss Guards who were massacred in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France. Mark Twain praised the sculpture of a mortally-wounded lion as "the most mournful and moving piece of stone in the world."

Via — Wiki

Detailed Pencil Drawings by Joe Fenton

Detailed Pencil Drawings by Joe Fenton

Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

London-based artist Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Fenton's tri-paneled project is meticulously crafted by hand. There is an unbelievable level of detail that brings each window of surrealism to life. The artist's creative cast of characters fill each frame, leaving the viewers' eyes to wander and get lost in the medley of activity. 




Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Joe Fenton continues to mesmerize us with his skilled hand and imaginative mind at work on the latest addition to his ongoing series titled The Landing. The artist has just recently completed the second and biggest panel of his large-scale triptych. The first two of his three-part drawings feature his signature monochromatic style in graphite on paper.

Via — Link